When classical CDs first hit the shops, I recall anti-capitalist whingers saying that it was all Brahms and Beethoven symphonies, but nothing obscure and interesting, and generally capitalism screwing up. I knew that things would eventually change, and they did, with a vengeance. There is now virtually no limit to the music you can get on CD. Oh, there are some gaps still to be chased down and filled, but the choice of stuff you can now get is fantastic compared to the bad old days of records and cassettes.
With DVDs, I have been eagerly anticipating similar bounty. New big distribution movies of course all now come out on DVD, and I presume that quite a few more go straight to DVD after only the most casual distribution in the cinemas if any. Although I further suppose that you might have to know where to look for such oddities.
Better than that is that the best movies of the pre-DVD era, starting with the most popular ones like Casablanca and It's a Wonderful Life and all the Fred and Gingers and the James Bonds. This part of the job is now well underway. Although, I'm still waiting for DVDs of the classic Ryan O'Neal, Barbara Streisand screwball comedy What's Up, Doc?, and of Metropolitan, to show up in HMV Oxford Street.
And then of course there are all the ancient TV shows that you can now get on DVD. Those are already in HMV in strength.
Nevertheless, most of what I have seen available on DVD has been pretty mainstream, not really all that esoteric or obscure.
But now, however, comes news of something that I would rate as genuinely off the beaten track.
This is from the a latest DVD issues leaflet that fell out of the this week's Radio Times:
Silent ShakespeareCLASSIC SILENT DRAMA These early film adaptations of Shakespeare's plays feature a new score by composer Laura Rossi. As well as the first Shakespeare film - King John (1899) – the collection also includes: The Tempest (1908), A Midsummer Night's Dream (1910), King Lear (1910), Twelfth Night (1910), The Merchant of Venice (1910), Richard III (1911). DVD extras include: filmed introduction and commentary by Judith Buchanan, sleeve notes by Nicci Gerrard, bibliography.
Never heard of those last two.
And that's my point. Silent Shakespeare? What on God's earth is the point of that? Well, I guess they have the words stuck on at the bottom, so maybe not so bad. But even so, weird. Learn more about it here.
In five years time? Or ten? It'll be a new world.

